Missed Classic: Deathmaze 5000 – WON! and Final Rating

By Will Moczarski

Adventurer’s Journal #3: I finally found a secret passage that got me out of my previous conundrum – I got to kill the monster eventually and even found a sword. When I thought that I was in for the home-run the monster’s mother came out of the woodwork and taught me otherwise. I also did away with this beast, though, and poisoned a vampire bat on my way out only to be killed no less than four times in the most painful ways imaginable. My guardian angel (or rather guardian demon) kept on resurrecting me, however, and I finally got out of this mess. If there’s one thing I’ve learned it’s to cherish the safety of escape rooms…

The third day in the maze starts with a facepalm moment. While examining the perfect square I accidentally press the up button and reappear on the other side. Is this “puzzle” nothing more than an unconventional door? On the other side, I discover the usual essentials: a torch and food, as well as a ball of blue wool. Will there be a vicious cat to accompany the vicious dog from level 2? I have to drop some items, too, so I want to put everything that seems like a treasure – the ring, the ball, the paint brush – in the same square and head out to re-explore level four. Unfortunately, dropping more than one item in the same location results in the hallway being “too crowded”. I’ll have to pick a whole corridor, accordingly. The next minutes are spent experimenting with all the items. I finally find out that I can play the flute for the snake and it rises out of the box. Moving towards it results in it biting me and me dying once more, though – not exactly breaking new ground here. Reading the usual message about the game again I suddenly know how to cross the pit in level 2 and get the magic staff! Maybe that is the item I am missing? I restore back and fart my way across the pit, thus avoiding the second vicious dog. Still, the staff doesn’t have any effect on my remaining puzzles – not the wildest success I could have come up with in my dreams.

In-game graphics for the snake!

I experiment with the snake some more and figure out that I can climb it to reach the ceiling, resulting in another death message as I hit my head and subsequently get bitten by the snake. But isn’t there some place I couldn’t reach otherwise? Yes, the top-right corner of this level – this must be the solution! I hurry back there and…encounter the monster again. I save the game and try to attack it with everything I’m carrying – but the verb “attack” is not really viable in this two-word parser that doesn’t leave room for the variable “with x”. Hmm, what else could I do? I try giving items to the monster next but no matter what I do, I die trying. Finally, I try to throw the dagger and at least the command “throw” appears to work. Without giving it any more thought, I restore time and again and throw everything I’ve got at the monster – the dagger, the calculator, the flute, the jar, the snake in the box, the blue wool. After so many unsuccessful attempts, I even hesitate to throw the wool but do it anyway and…the monster gets all tangled up and falls down. Success? Not yet, but a quick final attack with my dagger (“kill monster”) results in the strangely elegic message “The monster is dead and much blood is spilt!” Alas, poor Yorick. With another puzzle out of the way I am eager to get upstairs via the snake and it works! My dagger vanishes in the meantime but what I discover up there should make up for it: a sword! Unfortunately that’s about all that I manage to do. I set about collecting the other items, playing the horn, trying to put the yoyo to good use but I seem to be stuck and starve yet again after a while. As I have saved before slaying the monster, I have to go through it again and find it in the same spot as before – maybe it’s not a random encounter after all. This time, however, I notice that the message does not tell me that the dagger has vanished as I’d previously assumed, but the monster’s body. Is this somehow important? I restore back with the intention to search the body this time. Also, I try to create a save game just before confronting the monster but am told that it was currently impossible. The monster kills me once more and I have to restore – I’ll have to save just before entering that corner of the map. Searching the body results in the game telling me that I don’t make much sense (I beg to differ, naturally), and if I try to examine the dead monster the body vanishes right away. Maybe it’s not important and I might be seeing things but the fact that the monster’s blood is so explicitly referenced makes me think otherwise. I restore again and try to pick up the blood in various different ways but the parser doesn’t know the word blood and is generally unhelpful about the whole situation. After minutes of restoring and trying out different wordings I try to fill the empty glass jar with the blood – in two words: “fill jar”. That works and I’ve now got a jar full of monster blood to my name, although the reason for it is beyond me.

Unfortunately that’s it: I don’t find a way down to level 5, I don’t find a use for any of the other objects, I run around the empty maze pointing my sword at everything and don’t know what to do next – at all. I experiment with the elevator (a lot) but it only gets me back to level 3. As the built-in hint system doesn’t have anything that applies to my situation, I decide to consult the official hint sheet and decode hint number 9: “Are you stuck on the second floor?” Oh yes, I am, and how! The answer is somewhat baffling: “press two.” How on earth should I have come up with this? What does it even refer to? It is the only number on the calculator’s display I haven’t used yet, okay, but how would that make me press it three floors down to magically teleport somewhere else? Of all the unfair puzzles in Deathmaze 5000, this is so far the worst. At least I didn’t take a hint for nothing: I’m on the final floor!

The limited inventory makes me change my plans a little – as I probably won’t be able to travel back and forth between the fourth and fifth levels the way I could between the third and the fourth, I go back to the beginning and create multiple savegames carrying different items before attempting to map the fifth level. Luckily, the endgame is pretty straightforward. Many of the items prove to be unnecessary and it’s rather easy to figure out which were not. Mapping the fifth level is a pain since it mainly consists of dead ends. There is only one item – a golden key –, no food, no torches, two more monsters as well as another elevator trap. I have to restore a few times but work out the “puzzles” pretty quickly. The most painful obstacle is that my torch is perpetually blown out the moment I entered level 5. I first assume that I have to find my way in the dark until I figure out that this is what the ring is good for. If you hold it above your head the torch-hating ghost vanishes and exploring is much less difficult.

After a few corners I encounter a vampire bat that attacks me right away. Throwing the blood at it predictably puts it off my scent and somehow the blood appears to be poisonous and the bat dies. At another point I am attacked by the monster’s mother. Having no more wool I try the frisbee in one of the savegames and the horn in another – and the latter is the solution. The horrible sound of the horn somehow seduces the mother and I am able to kill her in cold blood. Even without any graphic representation this kind of stirs me – the game is not only brutal for the player, it seems.

The final stretch is also straightforward – sort of. The golden key fits in any of the five keyholes but opening four of the doors kills me right away. At least I don’t have the chance to react to any of the fatal traps, thus the wrong doors are very clearly marked and don’t make me waste any time. Behind the first door, I am taken away by three men in white coats, interestingly prefiguring the topic of (in)sanity that will be so central in later Med Systems games. The second door contains a 600 pound gorilla that rips my face off. Door number three kills me with a 20000 volt shock and door number five – yes, the fourth one actually lets me live – drops a wall on me. Having been slain four more times, I pick the right door and the key starts to tick like a time bomb. As the dungeon map has a strange nook in the bottom right corner I assume that something must have happened down there as I am not able to enter the now open door number four. When I arrive down there another keyhole has materialised and I am able to enter the final stretch of the dungeon. The game warns me not to make any unnecessary turns, really turning up the stress level. At the end of the line there is another elevator but this one stumps me. I try all of the items I haven’t previously used to not die inside and throwing the crystal ball somehow does the trick, don’t ask me why. The game ends with a trivia question about the name of the monster. Yet one more obstacle and it really makes me think and almost makes me go back – was that mentioned somewhere in-game? Should I have talked to the beast or to its enamoured mother? Phew, another restore seems very likely but then I remember that I read somewhere in preparation to the game that a passing knowledge of the medieval epic “Beowulf” would be necessary to solve it. I had actually been wondering at which point the “Beowulf” references could be found. My knowledge of “Beowulf” extended as far as to remember that Beowulf first killed a monster and then the monster’s mother seeking revenge – like me. But what was the monster’s name? I decide that consulting outside knowledge is fair game (the Trickster established a precedent when he looked up the name of Roy Rogers’s dog) and correctly come up with “Grendel”, winning the game with one in-game hint, one look at the official hint sheet and one instance of consulting Wikipedia.

Ha, that’s easy! I’ll just google it…:“name of the monster”

Had I not accidentally read about the “Beowulf” connection, I don’t know…probably it wouldn’t have occurred to me, so let’s mark that down as a third hint of sorts. Deathmaze 5000 is really brutally difficult but I actually had a lot of fun playing it – for its simple story it’s at least not one of those dreadful treasure hunts (the remaining items are not mentioned at all and there is no scoring system) that made up so many early text adventures. The final message was another hint that the deathmaze may have been connected to mental issues of sorts, again setting the stage for later Med Systems games like Asylum and The Institute: “You have survived! RESET TO SANITY!” Thanks…I think.

Session time: 2.5 hours

Total time: 6 hours

Hints needed: 3

Emmanuelle? Is that you?

You’ve got some nerve to tell me that after throwing the Byrds at me…

It’s time to apply the PISSED rating to Deathmaze 5000 and I suspect that the fun I had with the game will probably not reflect here. Let’s see how it turns out…

Puzzles & Solvability: Deathmaze 5000 does not have very many puzzles but the few there are really made me rack my brains. I had to peruse three hints and stumbled on some other solutions (“raise ring”, I’m looking at you) by pure luck and parser juggling. I don’t believe that anybody actually solved this game without the official hint sheet (it was sold for $1, if you’re interested) or the in-game system. The challenge was kind of fun but it’s still a very, very punishing game: 2.

Interface & Inventory: As basic as it gets. While the idea of setting an adventure game inside a 3D maze was revolutionary for the time and the game makes excellent use of the TRS-80’s very limited capabilities, the inventory is only a list of items and most of them cannot be examined. The two-word parser is also very simple and the words you type actually appear right within the frame that is meant to depict the maze – I have to say that I’ve never seen that before: 1.

Story & Setting: All bones and no flesh, really. Escape from the maze. Why? No idea. Where from? Not mentioned. Where to? Who knows. I liked that it was no conventional treasure hunt but the game truly doesn’t have a story longer than two sentences and the setting is pretty sparse, too: 1.

Sound & Graphics: In 1980 and on the TRS-80, Deathmaze 5000 was sensational. It didn’t feature the tutorial from Rat’s Revenge (see post #1) anymore but rightfully trusted in its abilities to depict a (very, very simple) 3D environment. Then again, there is no sound and the graphics are limited to walls, pits, elevators, keyholes, a perfect square and boxes. Enemies are not visually represented, so how do I rate this? Even if it’s a technical feat for 1980, it’s still pretty basic: 2.

Environment & Atmosphere: In spite of all its simplicity, Deathmaze 5000 somehow grabbed me. The atmosphere is really claustrophobic and the environment has all the positive qualities of its early peers (Dungeon/Zork, Advent) without much of the silliness. Mapping the maze is more fun than work, too, so this is where Deathmaze 5000 sort of shines: 3.

Dialogue & Acting: No acting, of course, and the dialogue is very sparse. Sometimes it’s mocking, sometimes it’s absurd but it’s still okay and contributes to the atmosphere. I liked the fact that it’s not overly silly and I even liked the cryptic final message. In keeping with the times: 2.

11 / 0,6 = 18

This low score does not reflect my enjoyment but I already suspected that the PISSED rating would not be favorable. Deathmaze 5000 is definitely an interesting beginning for Med Systems adventures and I’m already looking forward to playing Labyrinth next.

Original URL: https://advgamer.blogspot.com/2018/10/missed-classic-deathmaze-5000-won-and.html